Bellaria means ‘sweets, dainties’, and in these hard times Classics for All will try to lighten the mood and put a spring in the step by posting delicious extracts from ancient literature, the original text followed by a translation or translations, and very occasionally with explanatory notes.

Belaria VIII

21 April

In this passage Suetonius, who had full access to the imperial library and its archives, quotes directly from three of Augustus’s letters on the matter of Claudius to his wife Livia. While Augustus is absolutely frank about the practical problem that Claudius (aged 21 at the time) presents for the imperial family, there is a touching humanity about his feelings for his great nephew.

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Bellaria VII

14 April

Suetonius, who wrote widely on literary and grammatical topics, here summaries his findings from examining Augustus’ formal and informal literary style, handwriting and spelling.

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Bellaria VI

7 April

Horace declared that books combining utile dulci won everyone’s vote (punctum). Since pleasure is the most useful thing in the world, that is no surprise, but Horace was clearly distinguishing the two. So in this case, ‘useful to whom?’ This run of Bellaria answers as follows: the historian Tom Holland.

Tom is currently translating Suetonius’ de vita Caesarum for Penguin Classics. Like Suetonius, he is thoroughly in favour of Classics for All, and would be delighted if CfA were to run the rule over his first draft (he is currently up to Vespasian). So the next five Bellaria will feature scenes from Suetonius in Tom’s translation. One of his stated aims is to keep as close as possible to Suetonius’ word-order.

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Bellaria V

30 April

Ausonius’ wife was Sabina. They had three children. Iuvenis and puella (l. 4) are the language of love-poetry. Ausonius envisages them growing old together, although his hopes of a long marriage were not fulfilled.

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Bellaria IV

23 April

Here is a magnificent single stanza poem from Petronius’ Satyricon, which is not what it seems.

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Bellaria III

16 April

Here Propertius (c. 50-15 BC), in a sort of post-coital haze, moves from monologue to dialogue and back again, shifting between past and present, hope and desire, as he recalls and reflects on a night of love-making.

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Bellaria II

9 April

Responding to Literary Review’s annual ‘Bad Sex’ Awards, Classics for All responds with ‘Good Sex’ awards – good for Ovid, anyway, in this case…

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Bellaria I

2 April

Auberon Waugh, then editor of Literary Review, invented the now famous annual ‘Bad Sex’ Award ‘to draw attention to the crude, tasteless, often perfunctory use of redundant passages of sexual description in the modern novel’.

Given that C-19 means we are all apparently doomed, it is the socially responsible thing to encourage the population’s philoprogenitive urges. Classics for All’s series of Bellaria will therefore start with five scenes which would (probably) have won an ancient ‘Good Sex’ award…

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Bellaria Complete Series

All current instalments of Bellaria in one document.

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